Since my last additions based around 'Physical traces of making' I've been scaling the work up slightly and also looking at different ways to present it.
The two or three pieces below have been photographed on mirror glass against white and black backgrounds to see how or whether it changes the appearance in any way. On closer inspection the porcelain against black seems to bring out more detail on the surface.
The use of monotones in reversal is definitely something to explore further.
Mirror glass is a material I'm revisiting from the exhibition at Arthouse1 in 2014.
I'm fascinated by extending the work and revealing parts of the form that would normally be concealed by the plinth or surface it's sitting on.
I'm particularly interested in these tiny points of contact with the mirror glass raising the rest of the surface up and away. Creating new visual spaces intangible spaces and small pockets of space.
Work in progress with porcelain
The two or three pieces below have been photographed on mirror glass against white and black backgrounds to see how or whether it changes the appearance in any way. On closer inspection the porcelain against black seems to bring out more detail on the surface.
The use of monotones in reversal is definitely something to explore further.
Mirror glass is a material I'm revisiting from the exhibition at Arthouse1 in 2014.
I'm fascinated by extending the work and revealing parts of the form that would normally be concealed by the plinth or surface it's sitting on.
I'm particularly interested in these tiny points of contact with the mirror glass raising the rest of the surface up and away. Creating new visual spaces intangible spaces and small pockets of space.
High fired Porcelain