Last week I started looking at the relationship between some of my smaller ceramic objects originally through the use or instruction of a particular word and some of the found objects that have been given to me or collected by myself.
This week i'm extending this exploration to a series of porcelain objects originally matched up with Sasha's photography shown last year in Arthouse1. http://www.arthouse1.co.uk
Whilst I'm working on this smaller scale I'm always considering how these structures could be scaled up.
The collection of five images below have been taken from every angle or rotating the porcelain piece around in order for me to understand the points of contact between the objects or surfaces. There are resting points here, some fit more comfortably than others. The porcelain piece has two distinct surfaces one side is glazed and the other is untouched from being wrapping in it's bag. There are varying thicknesses throughout the slice and it's possible to get a sense of that as there are small areas that the light reflects through. Another point of interest here is the space that is created in-between the two objects where light and shadow come into play.
Here by contrast I'm looking at how the porcelain objects fit into brick and contains it.
There is a more intimate connection here where light shadow and space does not exist between the two.
This week i'm extending this exploration to a series of porcelain objects originally matched up with Sasha's photography shown last year in Arthouse1. http://www.arthouse1.co.uk
Whilst I'm working on this smaller scale I'm always considering how these structures could be scaled up.
The collection of five images below have been taken from every angle or rotating the porcelain piece around in order for me to understand the points of contact between the objects or surfaces. There are resting points here, some fit more comfortably than others. The porcelain piece has two distinct surfaces one side is glazed and the other is untouched from being wrapping in it's bag. There are varying thicknesses throughout the slice and it's possible to get a sense of that as there are small areas that the light reflects through. Another point of interest here is the space that is created in-between the two objects where light and shadow come into play.
Here by contrast I'm looking at how the porcelain objects fit into brick and contains it.
There is a more intimate connection here where light shadow and space does not exist between the two.